The show was introduced by a host of celebrities
The quartet went on to discuss Riccardo Tisci’s reinvention project at Burberry, with Bella noting: “Riccardo brings his flair, his radical cool side, something that [has] elevated everything up until this point. It’s such a perfect connection between a person and a fashion house.” Rosalía agreed, describing Tisci’s approach as “experimental”. “Even if I feel like Riccardo has always so much respect for the classic, at the same time there’s an always an attitude of pushing forward,” she said. “He is experimenting, he’s having fun. You can tell.”
A creepy clearing in the English countryside served as a show location
Badu’s chat about the natural world segued to a live-streamed show filmed in the depths of the English countryside. As the stream began, models including Mariacarla Boscono and Anok Yai were shown getting dressed in looks from the collection in mirrored changing rooms, while birdsong played in the background. Once they were layered up and ready to walk, the mirrored doors opened out into a forest, through which models wended their way, headed towards a clearing surrounded by tall pine trees. The creepiest detail? They were escorted through the woods by Men in Black-style heavies wearing security-detail sunglasses. Once they arrived at the clearing, they took their places in the round, observing choreographed dancers on raised platforms wearing lockdown sweats, and serenaded by the guitar-wielding musician Eliza Douglas.
The show comprised a creative collaboration with the artist Anne Imhof
The German performance artist Anne Imhof received top billing at the Burberry show, which was described as “a radical meeting of fashion and art”. You may remember her from her 2017 Venice Biennale project, where she transformed the German Pavilion into a bunker with military barbed wire fencing and snarling Dobermans on patrol. Eliza Douglas gave a performance in Venice, and has continued to collaborate with Imhof (you may recognise her as a Balenciaga model), so it was no surprise that she should reappear on the Burberry scaffolding, playing her guitar and thrashing her head around enthusiastically. Those performers, meanwhile, dressed in white, symbolised waves – “an ebb and flow of bodies, models and performers as one – a swelling and falling tide of figures moving through the space,” as the show notes put it.
Glamour and practicality made for a very British take on eveningwear
Anyone seeking ideas on rebooting their summer festival fashion template will find plenty in this collection. Despite the streak of glamour that manifested in a series of sparkling silver dresses, the clothes felt resolutely grounded and, dare we say, practical. From a rubberised tangerine-coloured trench coat modelled by Joan Smalls, to chainmail-inspired trousers, the sense was of a very British take on eveningwear. And those fishnets studded with crystals will pair nicely with wellington boots.
Beware of the great Burberry shark
Tisci’s show notes mused on the meeting and “love affair between a mermaid and a shark”, which the discerning fashion show goer took with a pinch of salt – until they saw shark hazard labels emblazoned across many pieces in the collection. “Swim with the great Burberry shark at your own risk!” read patches and pockets on denim and dungarees. Elsewhere, the symbol of water harkening back to the launch of Thomas Burberry’s first technical gabardine was present in fisherman’s hats, fishtail illustrations and crystal netting.
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